E: Yep, that’s what I figured was going to happen. Oscar loves what it loves – in this case, Joker, 1917, Once Upon a Time … in Hollywood, and The Irishman. Films by white men, for white men, starring white men, featuring almost no women or people of color. Let’s review:
E: I had to get something in before the show finishes, didn’t I? Life’s been more than a bit overwhelming, but I have to say something, even at a rush. The performance finale was a night of swoony, swoony dances, of standing ovations and kisses and fanning and tears. It’s been a beautiful season and it’s too short and I just haven’t had enough time. If this is the end of my beloved show (which I desperately hope it’s not) at least it will go out on a high note.
Instead of a recap, I just want to look at some pertinent questions. Who’s going to win tonight, and which pieces will the judges choose to replay? What was the best of season 14?
E: There was some seriously fantastic dance going on here tonight. SERIOUSLY fantastic. Each week this show keeps getting better! I’m so grateful to have it back, I can’t even say. Like last week, I’m going at this out of chronological order, but I think it’s a bit neater that way.
As perhaps a nod to last week’s disco-glam, Cat wears an 80s-inspired long sleeved black mini-dress with sharp shoulders which is laced up on each side through wide grommets. She reminds us we’re going to lose one more dancer. Boo. But first, some great dancing. So yay!
E: Ladies and Gentlemen, we are officially underway. Welcome to the live shows, the high point of the season! It’s a little odd that we’re just starting this the second week in August, but as long as they don’t short change us on the goodness, then it’s all smiles from here.
You may have noticed that the editors totally snowed me with the last Academy Week episode; I guessed correctly on all the partnerships except the ones that got highlighted, and with those I was 0 for 3. I’m embarrassed and annoyed with myself, and also a little peeved. I guess those editors did their jobs well, though, amping up the drama where I hadn’t thought there was any before! Without delay, here are our pairs:
(Sorry, there clearly has been delay! Hence I’m bringing both pieces the top ten performed in each show, together. Routine 1 is from Show 1, and Routine 2 and the solo are from Show 2. Dance order comes from the first show. Spoilery info woven through the whole.) Continue reading
E: Hello out there! If you’ve been here before you know that I am thrilled through my entire being that this show has returned, and returned to something resembling it’s old format. Adult dancers for the win! I guess we’ll see how the All Star format works out (I can already tell that, even with a reduced, coastally-focused 2 city audition schedule, the cuts will still be brutal) but I will take it over nothing any day. It’s all about the dance! If nothing else happens this season, I could watch “Brand New” – the spectacular, 100 dancer flash mob that began this episode in true La La Land style – every day for the rest of the summer and that would be enough.
But I’m so glad we’re going to get more.
And, um, I know it’s lame of me to start so late in the season. Things have been a mite crazy for the last few months here in Sibling World. Much more than a mite, if I’m being honest. But the craziness is settling down (fingers crossed) and I really miss writing, so I’m going to try and get back to a more settled schedule. I did take notes on the audition episodes, in hopes of having the time to blog them; not only did I not have the time then, but I can’t find all my notes now, so I won’t have as encyclopedic a recall of the contestants as usual. Please excuse me if I forget names! I will do my best to give you all my oodles of joy in seeing this show return. I hope someone out there is glad I’m back, too. Ready to break this down?