Holy February Movies, Lego Batman! February 2017 Movie Preview

E: Like January, February is a month I mostly reserve for seeing Oscar movies and writing about them.  There’s normally not much to see in the theaters that isn’t a Best Picture or acting nominee.  Expect more great box office for Hidden Figures and La La Land, for example – and see them if you haven’t already.  If you can only choose one?  La La Land will win the Oscar, but Hidden Figures is the experience you really want.

M: Which says all you need to know about the Oscars.

C: I really want to see it. I know I said that a month ago, so I need to get off my duff, but I really do!

E: Do it!  Do it now!

M: This month, we have mostly the usual February mumbo-jumbo: there’s a strong chance the more promising-looking films may under-deliver, otherwise they wouldn’t be opening in February. Except for Lego Batman. That might not suck.

C: I loved The Lego Movie (unexpectedly), so high hopes here.

E: It’s true. We can say that much for this February, because of Lego: it probably won’t all suck.

M: That aside, the movie news we’re really excited about this week is the announcement of the cast and crew for 2018’s Ocean’s Eight. Yes, it’s Hollywood again proving that it either has no original ideas, or that even when they have a semi-original idea they have to package it in something that sounds familiar so that it has a built in audience and (theoretically) less chance of total failure.

C: Normally I’d complain, but HEIST MOVIES. They never get old.

M: Right, plus: Sandra Bullock is the new lead, in the Sinatra/Clooney role, with Cate Blancheit, Helena Bonham Carter, Anne Hathaway, Mindy Kaling and Rihanna among the women filling out the other seven members of the heist crew. Gary Ross, who’s awesome and wrote things like Big and Dave and directed Seabiscuit and the first Hunger Games, is writing and directing. Awesomeness!

C: I totally freaked out when I heard about that. But let’s save our comments for that preview, huh?

E: Just noting that we are crazy excited about it, because the wait is soooo long!

M: And now, back to February.

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What’s Opening While You’re Busy Seeing the Stuff That Officially Came Out in December: January 2017 Movie Preview

E: Ah, January. A prime movie-going month in which almost nothing worth seeing actually opens.

C: Right, because some of us haven’t even seen all the things that opened in November yet.

E: And of course, because actual mega-blockbusters (hello, Rogue One) will continue to dominate the box office at least through this month.  And also because lots of cool movies faux-opened in December.

C: Meaning that they premiered sneakily on a few screens to qualify for Oscars.

E: For example, Hidden Figures and A Monster Calls — both of which look terrific to me and get great reviews from critics — expand into wide release on January 6th. We already reviewed them in our December preview, but they may not have arrived at a theater near you till now.  There’s Patriot’s Day, Fences, Hacksaw Ridge, Silence, and also Gold, in which Matthew McConaughey sports a Trump-ian comb over, going into wide release at the end of the month.

C: Wow, and I already thought McConaughey was unbearable to watch.

E: Yet it can get worse.  Also?  I guarantee you that both the true and faux-December flicks (including obvious blockbusters like Rogue One) are going to be far better movies than the few ones that actually come out in January.  Prepare yourself for an anemic preview, in terms of both film quantity and quality, and comfort yourself with the knowledge that there’s great stuff already out there.

C: Way to tantalize the people, E. Now read our post about the tepid losers you won’t see! At least it’s very, very short.

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Oscar Flicks and Rogue Blockbusters: December 2016 Movie Preview

M: Star Wars. Oscars. Assassins. December starts off slowly, but once it gets going it’s got it all.

E: If a film’s going to be eligible for Oscar, it has to play for at least a week before the year’s out.  So Christmas, particularly, is packed full of last minute contenders jostling for attention.

M: It’s been a few years since I voiced this complaint, so I’ll do it again now. I hate the system that allows movies to be released on literally two screens (one in NY, one in LA) in December, then get release wide right around when people are actually voting for the Oscars. My proposal is this: to qualify for Oscars, at the time of the voting deadline the total number of screens your film is being shown on must be equal or higher in the calendar year you are qualifying for. So, if you release on two screens in December, you can’t expand beyond two until after the voting is complete. If you want to be eligible in 2016, really be a 2016 movie.

E: Thanks, M; that was not predictable at all. You get that it’s strategy, right?  Studios want their movies to be fresh in voters’ minds when they vote. Almost never does a movie from the first half of the year get Oscar attention.  I’m not saying it’s right, I’m just saying, that’s the game.

M: That’s my point. The attention span of the Oscar nominators and voters is so insanely small that studios play to it, and movies that are really 2017 movies end up winning awards for 2016 because they play the game. I’d prefer to try to minimize the game playing, or at least punish people for the manipulation.

E: I’m not sure it really qualifies as manipulation.  That said, the real point is that there’s so much good stuff in December; it’s a heady mix of blockbusters and grown up dramas, and I for one couldn’t be happier about it.

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Movies: With Subtitles: The October 2016 Movie Preview

E: In addition to the usual slate of horror flicks, October usually sees the first salvos of the Oscar season, movies like last year’s Bridge of Spies and The Martian.

M: Ahhh, The Martian. I should definitely re-watch that!

E: Yes you should.  It’s some serious good stuff. This year bring us a little wow right out of the gate, but mostly stutters on substance.  Decent looking stuff aimed at the tween set, and any horror-loving teens will be happy too.

C: So what will be the memorable films of this month?

M: For my money, Girl On the Train is the only real contender.

C: With that, let’s jump right in.

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Fall 2016 Television Preview: Sunday

E: Welcome to the best night on TV, the night when cable pulls out all the stops.  Want prestige adaptations?  We’ve got ’em. Costume dramas?  You’re on.  Movie stars?  Check.

C: And I… don’t think I watch anything on Sundays. I’m the low-brow one on this gang, I guess.

M: Something tells me I’ll give you a run for your money there. In Thursday’s post we mentioned how that night has fallen off as the most competitive, best night on TV. Well, Sundays was always up there, now it’s the king of the hill (though, not Hank Hill). But it’s become a weird hill. NBC has football (which until about 5 years ago was on ESPN), CBS decided to go with a slate of similar-but-different, law enforcement-y procedurals, with acronym-happy NCIS:LA, Madam Secretary and Elementary. FOX, as it has for years, has gone all comedy on Sunday, and ABC is kind of schizophrenic, with the fantasty-ish Once Upon a Time, followed by the very heavy Secrets and Lies, and ends with the extremely soapy Quantico. What a weird night.

E: Two things you won’t get this fall? Game of Thrones (it’s such a long wait until April) and The Good Wife (sigh).

M: Poor E, her long-time favorite show has come to an end. Was it at least a satisfying end?

E: Confession time: I have still not actually watched the final two episodes.

M and C: WHAAAT!?  whaaatminion

E: I know.

C: Okay but seriously, that is shocking.

M: Like, “end of The Sixth Sense if you hadn’t heard there was a twist” shocking.

E: I know! I was really glad they were ending it (boy it got really dark and unsatisfying in later seasons, even though it still gave us the most brilliant, topical cases of the week and the most vivid characterizations on television), and I was glad it went out on the creators’ terms, but I don’t know.  It’s too emotionally fraught.  What if I don’t like it?  I heard mixed reviews, and I just could not — still cannot — bring myself to watch.

C: Well, I can’t say I don’t sympathize. I’ve given up on some of the shows I was the most emotionally invested in because I couldn’t handle the loss of the things I liked about it. But, you know, usually with a season or two left, not two episodes. Poor E 😦 Continue reading