TV Review: Caprica

M: Last week the pilot of the prequel to the newer version of Battlestar Galactica, Caprica, was aired, and tonight the show begins in earnest.  The pilot had already been available to download, on DVD and on demand (since April!) but new episodes of the show start tonight.  As the Siblings were all fans of the new BSG, and E and I were fans of the original, we figured we’d check it out.  Only, E wasn’t able to due to time and sick children, while C had issues with not getting The Network Formerly Known As SciFi.  FYI, in my effort to not acknowledge the ridiculous name change, all references to where it airs will be “TNFKASF”, therefore I will do everything I can to avoid mentioning it from this point on.  Take that, suits!

Anyway, back to the show.  The show is set 58 years before the recent version of BSG, which puts it approximately 18 years before the end of original cylon wars.  It follows two families, the Adama family and the Greystone family.  Both families have to deal with tragedy of losing daughters (and in the case of Adama, his wife) in a terrorist bombing, and how they deal with it and what they do in response is the basis for an even more character-driven drama.

Dr Daniel Greystone (Erik Stoltz) is the creator of cylons, and a whole host of other robotic and cybernetic devices, including the “Holoband”, a device totally ripped off from Star Trek’s holodeck.  Immediately, the show set me off on two of my pet peeves.  First, I can’t stand the term “prequel”.  I don’t know why, really, it’s perfectly appropriate linguistically.  It just rubs me wrong every time I hear it.  However, my dislike of the term is far less of a pet peeve than the other…  I hate it when prequels are made and the technology of the society is VASTLY advanced from the technology in the society in the original.

For example, I understand that the technology in the original Star Wars trilogy was supposed to reflect a society in decline, and that the ability to do sooooo much more with special effects existed.  However, consistency is FAR more important in my book.  Use the technology at your disposal to make incredible special effects for things that still existed in your fictional universe 18 years later.

In Caprica, we’re supposed to believe that 58 years after the events we’re watching now, the holoband has not only completely disappeared from society, but that it’s been completely forgotten AND not replaced by any advancement in technology.  That’d be like making a movie set in 2068 and saying that not only do we no longer have smart phones, but we don’t even have phones.  It’s just not believable.  It wasn’t just the holoband, as the Greystones have pretty cool little robots that provide butler and home security duties, as well as target practice for the cylons that Dr Greystone is developing at work.  Sorry, I really have trouble getting past these type of blunders.

That aside, the show itself was a mixed bag.  It was very dark, and is clearly going to be more drama than action, unlike its predecessor.  Esai Morales was good as Joseph Adama, a mob lawyer with pangs of conscience who is hiding his family name to avoid persecution for being from the planet Tauron.  Stoltz was his usual solid self, adapting to the role of the cocky science whiz with a bit of a peter pan complex and questionable moral character.

The show is creating a stylish world, one with cosmopolitan cities and serene landscapes, but it is also replete with “racial” tension, terrorism, political corruption and religious discrimination.  It’s a world where most of the children escape into the virtual world of the holoband to violate every moral, while some escape there for religious freedom.  The Greystone’s daughter Zoe (Alessandra Torresani) escapes there to create a virtualization of herself, one that by the end of the pilot becomes the basis for the consciousness of the first true cylon, and the device that will move the drama of the show.

In the end, the pilot was a bit disappointing.  I’ll admit, the first time I watched it I actually fell asleep pretty early on.  Though it was really late, I don’t usually fall asleep during things even when I’m exhausted, so that wasn’t a good sign. The second time around was a better experience, but much of the plot was recycled elements from so many other works: the corrupt politician that the mob has to shake down… the brilliant scientist who may lose his government contract so he resorts to corporate espionage…  the mad scientist who cannot get over the death of a loved one and tries to reanimate them.  So much of this we’ve seen before under different names, and in many instances we’ve seen it done far better.

Still, I’m interested enough to see where they take the series, partly because of the show that preceded it, partly because they had such a long gap between making the pilot and the new episodes, and partly because TNFKASF originally only signed on for a few episodes, then ordered a half season, then the full season, so it makes me think there may be something good coming.  All I can say is that they better get to it pretty quickly.

11 comments on “TV Review: Caprica

  1. Krizzzz says:

    On PREQUEL: “I don’t know why, really, it’s perfectly appropriate linguistically.”

    It actually isn’t, and maybe that’s why it’s irksome to me. “Sequel” comes from the Latin sequor – follow. The key element of the stem is the sequ- (or secu – depending on how we’re combining things). The “quel” part doesn’t mean anything. So pre + quel doesn’t technically mean anything either.

    It’s a little like “helicopter” being abbreviated as “copter.” The two roots are actually not “heli” and “copter.” The roots are “helico” (spiral) and “pter” (wing). Technically, there’s no such thing as a copter.

    And don’t even get me started on Hamburger. It’s not a burger made of ham, and therefore things like turkey burger don’t technically make sense. OK, a burger might be an inhabitant of a burg — in this case, Hamburg. A Hamburger is a person from Hamburg. Notice we don’t do the same thing with Frankfurter. There are no furters. The division isn’t between Frank and furter — it’s between Frankfurt and “er.” There are no burgers, and therefore no turkey burgers or buffalo burgers or tofuburgers or, God forbid, Spamburgers. It’s Hamburg.

    Dude, I said don’t get me started on Hamburger.

  2. Krizzzz says:

    (Actually, I get a little frosted when people refer to that ground up stuff as hamburg, for the same reason. Even more so when people talk about turkey hamburg. Gah.)

  3. Krizzzz says:

    Moving from the pedantic to the…slightly less pedantic…the part I’m getting confused over is the timeline. How much separation is there supposed to be between the creation of the Cylons and the events of BSG? And were not the Cylons originally the “toaster” model, not the “I can pass for your beautiful daughter” model”? (Cf. “There are twelve Cylon models. Some even look like models.”) Are they not supposed to have “evolved” from there?

    But speaking of that…I still don’t get who created whom: if this guy created Cylons, then who made Mom and Dad Tigh, and how did Earth get nuked 2,000 years ago if Erik Stolz only made the Cylons last week?

    Frak me, I’m so confused.

    • M says:

      Well, the cylon he is making (and puts his virtual daughter into in the pilot) are the original series style model with the big bulky face and the red glowing bar for the eyes like Kit from Knight Rider. So they at least are staying close to the mythology on that, but it will be interesting to see if they incorporate the whole “this all happened before, it will happen again” aspect of the skin jobs into it.

      • Krizzzz says:

        Come to think of it, the whole ‘all this has happened before” (which I otherwise do like, in a spooky cosmological sort of way) is a mighty convenient way to weasel out of certain time-space continuum continuity problems.

        • C says:

          I HATE that deterministic crap. You owned your own destiny, Galacticans! You didn’t have to do all the stupid stuff in the finale!

          • Krizzzz says:

            Agreed, there. I could get behind the deterministic crap in a cosmic tragedy kind of way, but not the ways the writers ran with it. (It amused me that the Cylon couples or mixed couples all ended up happiest, especially once they were allowed to embrace their inner toasters …but could we stomp on Lee Adama a BIT more? Plus some plot threads that got handled a little haphazardly. Plus…just…ugh. This is why I didn’t talk about it to anybody after I watched it.)

            Maybe therein lies some of my reluctance to watch: it it’s all doomed, then, well, I’m going to go re-read some Miles Vorkosigan.

  4. Mike says:

    nice site and great information

  5. James says:

    the new season of caprica is really hot….

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